I had grand plans to keep a frequent diary of this trip — one that would be coherent. That’s not going to happen; neither the frequency nor the coherence.
I arrived and met up with the rest of Team Endure roughly a week ago. Since then I’ve been doing doing doing doing doing. I’ve had a few breaks of some hours, but it’s never been truly leisurely because I’ve been aware of needing to do do do do do again for the evening performance, starting at around 4:30 and wrapping up around midnight (we have a post-show chat, drink and chew with audience members, typically).
For the first few days I was occupied with squaring away some of our marketing details, such as making sure print materials were getting to the right parties and then getting distributed. I also had a great deal of shopping to do, as well as photocopying forms, media kits, etc. Plus — oh, right — there was learning how to crew the show and rehearsals. I’d seen the show several times. But I’d never crewed it. Yoiks.
Tuesday I was off on my own running around Hammersmith doing doing doing. Then on Wednesday I was able to join the rest of the team and work on the show in earnest. That was good because we opened on Thursday. First we had a morning performance for the Alberta Minister of Culture (who gave the show a boatload of money). Although it was challenging to be ready by 9:30am, it was also a great way to get acclimated to the park and crewing. That show, which was a dress rehearsal of sorts, went very well. Then we had our premiere that evening at 7:00pm, and for that I had family in the audience (my brothers in law — it’s complicated). After that we had three more performances, the last of which was last night.
Some highlights of the past few days:
Mary has dealt with two insane, belligerent elderly people now, one of them drunk. The encounters were back to back, and I got to witness them from a slight distance. I’ll just say that if you want to see grace under pressure (in this case, a stream of verbal abuse, all of it nonsensical), Mary Cavett is your model.
The London Lady Cops are the real deal. They are in your face if you’re a young man misbehaving, such as kicking over trash bins. The Lady Park Police ride around on huge horses and wear helmets, jodhpurs and knee-high leather boots. They are badass.
There are parrots in Ravenscourt Park, where we performed.
We saw Eddie Izzard (also in Ravenscourt, where he used the loo and then bought a popsicle). We invited him (he runs marathons), but he didn’t take us up on it.
Executive Producer Jess Baker saw Kathrine Switzer walking by the theatre, looking at our poster, with husband Roger Robinson in tow. We also invited them. They did not show. Damn, these celebrities.
Endure’s composer, Christine Owman, came into town to see the show — with her parents, who have not seen it and were nice people. I got to hang out with a musical genius for awhile. I also got an autographed copy of her Throwing Knives CD.
The timing of our post-show sips and bites worked out perfectly so that I arrived in the bar just minutes before both the women’s and men’s 10,000m finals. I also got to watch the men’s 3000m steeplechase and the 100m final.
But that was just on television. I got to see the women’s marathon too. Live. On the street. I went alone because others on the team were either too busy or too tired (although Mary headed out a bit after me and ended up talking to a fascinating lady marathoner who is in her 60s).
So I went alone to St. Paul’s/Cheapside area and put up my flag and waited. The women came through about 10 minutes later. I cheered for all of them and was surprised by who I saw in the field, having had no time beforehand to read up on the race participants. I waited as they came through the loop another two times and then ran down to mile 24 to watch them go by one last time.
Watching the marathon was a very moving experience. I don’t know how many times I’ll get to see an Olympic marathon. But it’s not just that. It’s that the marathon has so dominated so many aspects of my life over the past 5 years. But it’s also not just that. The marathon is not only a metaphor used in the show I’m involved with — it’s a thread that’s connected everything I’ve being doing recently: getting over my social anxiety; pursuing journalism work; expanding my pool of friends; learning to face reality and modify goals in response; appreciating the value of small successes and big failures; taking my own creative work seriously; and embracing other new challenges and adventures — basically, moving toward the things that scare the living daylights out of me. This trip is the culmination and amalgamation of all of those things. So it shouldn’t have surprised me when, walking through St. Paul’s afterwards, having listened to both towers’ pealing bells for several hours, I burst into tears.